Status: On-sale Friday 2nd June at 10am (Updated on Sunday 27th May 2018)
Tickets by phone: Call 08444 771 000
Tickets for cash: Cash purchases only from the Scala box office between 10am and 6pm Monday to Friday. No booking fees. Read box office info.
Please read our general guide to purchasing tickets online and how to collect tickets.
Doors open at 7:30 PM – Close at 11:00 PM
Age: You must be 16 years of age or more to attend this event (with or without a guardian) | Photo ID – Please bring ID if you are 25 years of age or less or appear so. | | Access – Standing. There are no seats assigned. The venue is arranged on several floors with many stairs and no lift. Find out more about accessiblity.
About Phoebe Bridgers
Stranger in the Alps released September 22, 2017 via Dead Oceans
Bridgers grew up in the rose-colored city of Pasadena, attending the prestigious Los Angeles County High School for the Arts to study music. From an early age, she found encouragement from a close-knit artistic community of friends and family to follow her dreams, and at school she forged relationships that would teach her as much about her craft as her classes.
Her powerful, lilting voice and her haunting, introspective songs light the torch that shows the way, and are what have inspired artists like Ryan Adams to produce her 2015 single, or Julien Baker to bring her on tour in 2016, as well as John Doe and Conor Oberst to sing with her on her debut album
Stranger in the Alps opens with the one-two punch of “Smoke Signals” and “Motion Sickness,” a pair of songs that highlight Bridgers’ abilities. The former, a gorgeous, ethereal tune guided by sparse electric guitar and sweeping strings, toes the line between weary and wistful, using specific anecdotes from its singer to tell its tale. The style highlights the strengths of Bridgers’ unique lyric writing perspective: there are overt references to lost idols, canonical pop songs and actual incidents, but her stories unfold through precise, evocative imagery sung in her subtle, confessional style. The latter is perhaps the most upbeat moment on the album and was written on her baritone guitar and discusses a problematic relationship from her past. “I feel like I’m getting more focused when I write,” she says. “My songs are super personal.”
“I wasn’t trying to be too lo-fi, too hi-fi, too self-serious, too disingenuous…I feel pretty confident that I’m finding my voice,” she says. “I wanted the album to completely represent who I am and these songs are representative of what I set out to do.”