Status: On sale Friday 29th November at 10am (Updated on 28th November 2019)
The price you see is the price you pay. Please read our guide to buying and using tickets.
Doors open at 7:30 PM – Event ends at 11:00 PM
Age: You must be 16 years of age or more to attend this event (no exceptions) | Photo ID – Please bring ID if you are 25 years of age or less or appear so. | | Access – Standing. There are no seats assigned. The venue is arranged on several floors with many stairs and no lift. Find out more about accessiblity.
About Otoboke Beaver YAMETATTA 2020 Tour
After a decade of squeezing gigs into the notoriously hardcore work hours OTOBOKE BEAVER quit (YAMATATTA) their day jobs to become professional touring musicians in 2020.
Otoboke Beaver おとぼけビ～バ～ are a punk-rock-garage quartet from Kyoto, Japan. The band’s name is taken from a local ‘Love Hotel’ and they describe themselves as: “Japanese girls ‘knock out or pound cake’ band”.
The band consists of Accorinrin (Lead Vocal & Guitar), Yoyoyoshie (Guitar & Vocals), Hirochan (Bass & Vocals) and Kahokiss (Drums & Vocals).
Most recently after kicking things off at this year’s SXSW music opening party and a run of wild showcases, the band released new album “ITEKOMA HITS” in April on Damnably, receiving widespread praise from the likes of Pitchfork, Stereogum, NYLON, BrooklynVegan and many more. They made their European debut at Lowlands Festival in The Netherlands, appeared as part of the line up at Koyabu Sonic Festival in Japan.
Recent converts include Krist Novoselic, Tom Morello, Anthony Fantano & Superchunk.
“sheer calamity and deliriously fun… recalls a lineage of patriarchy-scorching girl-gang shrieks” Pitchfork
“Their Riot Grrrl attitudes and passion for noise-rock make them stand out as true renegades in the underground scene.” i-D
“Punk is rarely this charmingly vicious.” NPR Music
“a rhythm-twisting, no-nonsense, Japanese girl gang more than worthy of an invitation into the riot grrrl scene” Stereogum
“vicious but tuneful punk-rock assaults” AV Club
“a wild, raging knockout” The Fader
“for those of us who missed riot grrrl at its true peak” The 405