Nina Nesbitt

Nina Nesbitt

Wednesday 16th October 2024

Live Nation Presents

Nina Nesbitt

Plus Katie Gregson-MacLeod

7:00 pm until 10:15 pm

Tickets

Price: £22.66

Status: On Sale (Updated on 02.08.24)


Read our guide to buying and using tickets.

Admission

Doors open at 7:00 PM – Event ends at 10:15 PM

Age: You must be 16 years of age or more to attend this event (no exceptions). | Photo ID – We require original physical (non-digital) photo ID and use ID scanning. Without ID we may refuse you entry. | | Access – Standing. There are no seats assigned. The venue is arranged on several floors with many stairs and no lift. Find out more about accessiblity.

About Nina Nesbitt

We all lose ourselves sometimes. The trick is learning how to find our way back, pushing those clouds away to see the blue skies beyond. For artist Nina Nesbitt, hard-hitting truths and revelations take precedent on her remarkable, career-best album, Mountain Music.

This is Nesbitt as fans have never heard her before. Having risen to fame at a young age with her disarming, candid pop – championed by stars including Taylor Swift and Hollywood star Reese Witherspoon – the Scottish musician is now found in an entirely new realm. It is inspired in part by the two years she spent touring the States in support of her second studio album: the critically acclaimed Top 40, The Sun Will Come Up, The Seasons Will Change, which has now accrued over a billion streams. These songs are permeated with gorgeous nods to US folk and Americana. It’s made all the more extraordinary by the face that, not long ago, Nesbitt was considering quitting music altogether.

“A lot changed as I reached my late-twenties,” she says. “There was a lot going on in my life that changed the way I see things. In all honesty, I quit being an artist last year.” Struggling with the demand on musicians to be “present” on social media, along with the detrimental impact that had on her songwriting, Nesbitt decided to take a step back. “I was missing the thing that set me on fire, at the same time feeling like I was just getting worse at the craft I’d worked so hard on,” she says. “So I decided to stop moaning about it, and actually just go and write.”


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